Categories
Memoir Nature Poetry Seasons

Poetry – Stories – Music – Art

Post #227

Wednesday, June 10, 2020

FEATURE – Walking by Inner Vision: Stories & Poems

by Pennsylvania author and artist,

Lynda McKinney Lambert

POETRY – STORIES –  MUSIC – NATURE

Listen to Lillian Yves reading a story from this book – NOW.

 

$3.99 on SMASHWORDS today!

E-Book on Smashwords

 

Take a LOOK SMASHWORDS – See it here!

Listen to this SAMPLE  – Click here!

Read 20% SAMPLE for FREE at –  DLD Books

SMASHWORDS ASKED  LYNDA to describe her WRITING PROCESS.

READ her RESPONSE to the QUESTION!

Lynda’s Authors Page- Amazon: Click here!
Listen to Free Sample on Audible: : Listen now!

Lynda’s Authors Page at DLD Books: See it here!
On BARD and NLS: Ask for – DBC11608

$3.99 on SMASHWORDS today!

I

Book Review

for

VISIONAWARE

by Beckie Ann Horter

—————————

Celebrating our successes as visually-impaired people is an essential step on the journey to healing. Peer advisor Lynda McKinney Lambert knows this firsthand.

After profound vision loss in 2007 due to Ischemic Optic Neuropathy, Lynda did not use a computer for almost two years. When she finally did re-learn her way around the computer, with the help of adaptive technology, she decided to celebrate in a memorable way. She started a blog.

 

Lynda’s blog, Walking by Inner Vision, grew and grew over a seven-year period. Last year, she decided to collect her stories and poems in a delightful book by the same name.

 

Walking by Inner Vision: Stories and Poems is Lynda’s second book. The first, Concerti: Psalms for the Pilgrimage, was published in 2003 by Kota Press.

 

Lynda is an artist and a retired professor of Fine Arts and Humanities from Geneva College. Her artistic background permeates her writing in an unmistakeable style, painting word pictures and setting vivid scenes. Her black and white photography accompanies several stories and adds to the visual appeal.

 

“This book takes readers into the mind of an artist, how we work in layers, seeing connections between history, philosophy, psychology, and nature. It’s the artist’s job to tell the things others don’t notice. We see nuances and fragments—these things spark the mind,” Lynda says.

 

Walking by Inner Vision is arranged as a year-long pilgrimage from January through December. Each month begins with a poem and reflects the happenings unique to its time and place. For example, in “March Arrived Like a Capricious Cat,” she speaks of the changeable nature of late winter in her native Western Pennsylvania.

 

“Glass wind chimes

hang

immovable

stiff

shrouded in new snow

March arrived like a capricious cat

crouched—

hunkered down, bent over

spring-loaded, squat

Changeable!”

 

Throughout the 16 poems and 27 essays, Lynda views her world through the lens of beauty, even in the midst of vision loss.

 

“I want to give people a strand of hope to hold on to,” says Lynda. Her personal Christian faith provides the anchor for her own hope and optimism.

 

“I believe we were created to be image bearers, as the Bible teaches, and that we are called for a purpose,” she says.

 

Lynda draws on her wealth of experiences to offer the reader a treasure chest of reading variety. While some stories are light and humorous (“A Wintry Tale”), others are poignant, like the story of her mother’s last family gathering and ensuing struggle with Alzheimer’s (“The Living Room”).

 

Regardless of the form—free verse or creative non-fiction—one thing remains consistent: lingering images stay with you long after the book is finished. You have been taken into the world of Lynda’s inner vision. And all is well.

 

The artist has done her job.

Note: Read MORE from Beckie Ann Horter

*

Walking by Inner Vision: Stories and Poems – GET A free 30 page sample  by going to Lynda’s author page:

http://www.dldbooks.com/lyndalambert/

 

The book comes in e-book, Kindle, and print formats. Cost is $3.99 for e-book and Kindle; $14.95 for print copies. It is also available online through Barnes & Noble, Amazon or anywhere books are sold.

ALSO AVAILABLE as AUDIBLE – read by Lillian Yves.

*

*

Lynda’s comment on her book:

I work back and forth between ADDING and SUBTRACT ING.

I BUILD and I DESTROY.
Writing poetry, for me,  is a dance with materials – senses – images.

I order chaos and find balance.

Lynda McKinney Lambert – Smashwords,  March 9, 2019.

 

$3.99 on SMASHWOR?DS today!

*

My Books

Amazon Authors Page

Star Signs: New & Selected Poems

Website

FaceBook

Recent Anthology Publication

 

Copyright 2020. Lynda McKinney Lambert. All rights reserved.

 My MISSION STATEMENT

  • I am the keeper of memories. I distil and share them through my art and writing.
  • I reveal what is forgotten, lost, or unseen.
  • I bring “Gifts to the King” through spare poems and thoughtful personal essays.

 

Categories
art Lynda McKinney Lambert Memoir Writing

Happy SCANdalous Birthday!

Send off the FIREWORKS

LIGHT UP THE SKY-

This week  is our HAPPY SCANdalous BIRTHDAY Celebration

 

 

ONE YEAR of publishing essays  is a landmark so let’s CELEBRATE!.

Let’s take a LOOK BACK to what I was  thinking about one year ago as I wrote the first blog article on the new blog.

The FIRST  article I wrote and  published is

“When I Begin my Day with Mozart.”

Blog2014_Photo_Mozart
When I Begin my Day with Mozart…an essay by Lynda McKinney Lambert

I did not know at the time I wrote it that it would launch my writing into a new career. One year later I am a “freelance writer.”

The essay was published in LIGHT Magazine, Sept/October issue, 2015.  This magazine is published by Christian Record, PO Box 6097, Lincoln, NB 68596.  (I will post the original essay below my comments here so you can read it.)

_____

Some STATS on Scandalous-Recollections at the one year anniversary:

Most popular post this first year is “Kaleidoscope: Collecting Patterns of Light and Dreams.”  777 views

I wrote this story, originally, as a GUEST BLOGGER, for Amy Bovaird’s blog.

Here is the link if you want to read it:

Kaleidoscope: Collecting Patterns of Light and Dreams

How many visitors did we have in the first twelve months?  1,308 visitors

How many VIEWS did my posts have?   2,247 views

 

 

_____

Essay:  When I Begin my Day with Mozart

(First published on November 11, 2014)

Today:

I put the morning coffee on to brew and then reached   for a CD of Mozart’s Violin Sonata in B flat. After I carefully placed it in the CD player.  pushed the  “play” button on the remote  and my Bose player began filling  the kitchen with music. The soft, slow opening lines of the Largo – Allegro began. I listened.  A piano and a violin began to gracefully move  me to listen closely  to this  composition, written  centuries ago. The lyrical melody  begins and I close my eyes  awhile before I continue writing my essay. There is something compelling about Mozart’s music; it gently  urges  me to stop whatever I am doing.  The music  takes me back in time – but not the time in the Eighteenth century when the music was first performed for a royal audience.  It is  my own time,  near the end of the Twentieth century when the music of Mozart became a core element in my personal  life. While listening to this music,  my mind is taken on a journey far away from this present  chilly, gray November day. My  musings  create layers of memories.

As I begin writing the opening thoughts of this essay,  I enjoy  my  cup of fresh coffee. I spiced it up with some hazelnut creamer. The days and years of past times  come visiting me  once again as I slowly recall  my first exciting days in Austria.  Yes! It  was just  Mozart and me.

Salzburg, Austria
Salzburg, Austria

When Mozart first performed this original composition on April 29, 1784, in Vienna, there was a surprising bit of information that came out of the  original  performance.   It’s  a  unique story  that lies behind the music I am listening to today.   In the audience, that day was  Emperor Joseph II.  As Mozart played the piano, the Emperor made a shocking discovery.  He had eventually  noticed that  Mozart was actually looking at blank sheets of “music” instead of the traditional written music that a musician would use.    It turns out that Mozart did not have time to copy the composition that was in his mind. He had to play it from his memory and did not want the audience to  know he had no actual sheet music. Therefore, He put the blank sheets on the piano and began to play that day. You can read about this and other interesting facts about Mozart by visiting this link

http://en.wikipedia.org/wiki/Violin_Sonata_No._32_(Mozart)

***

My first trip to Europe was  in the summer of 1991. The trip was a gift I gave myself  to celebrate a goal I had completed in May.  I  finished my MFA degree  at West Virginia University in Morgantown, WV. Soon after my graduation, I arrived in Salzburg, Austria at the beginning. My arrival  was  just in time to join in the celebration festivities  for the 200th anniversary of Mozart’s death. My month-long visit was filled with special art exhibitions in palaces and museums, all focused on  some aspect of Mozart’s life or his music.   I attended as many concerts as I could, and viewed special exhibits of art that month. OH, I was hooked on Mozart! I walked through his birth house, and  death house, and stood  inside the churches where he performed for masses.  I attended the Mozart Mass at the Dom du Salzburg and basked in the sweet aroma of swirling,  smoky incense as the priests entered the sanctuary.  I even found the grave sites of  his family members and his wife, Costanza.   Like most tourists, I purchased the famous   Mozart candy, Mozart t-shirts and sent out lots of  Mozart postcards to all my friends and family.

I know you must want to know what took me there that month.  I had enrolled in a drawing class that was taught by a former professor. We students  were in classes Monday through Thursday mornings.  I was so excited to be there and was prolific in my art adventure.  I created a  body of work on the theme of Mozart’s death and  music.  I wrote continuously as I traveled and viewed exhibitions and listened to concerts. I made many ink sketches on white paper. I chose to do all the artworks black and white. The works on paper would make it easier for me to transport  them back to the US.  After I returned  back home, I put my  work together and it became a traveling art exhibition. The mixed-media works on paper appeared in museums and galleries.  I called my show,“Memory of a Requiem.”

Blog_2014_SalzburgFireworks

     Ten years after my first trip,  some of my poems, sketches,  and reflections from that experience were crafted into a book, “Concerti:  Psalms for the Pilgrimage.” The book was published by KotaPress.

***

Prior to the  trip to Austria, I was in graduate school pursuing my MFA degree.  I worked diligently during those two intense years doing  research, creating art,  and teaching. At times, I  was so  exhausted from working days and nights. When I went back to my apartment for a rest and some meals, I often  refreshed  my mind by listening to Mozart’s music. I was particularly  drawn to his Requiem Mass because it echoed my own weariness.   My visit to the city of  Mozart’s  birth and death was a natural choice.

***

While in Austria, I made an intention for my own life.  I realized that I fell in love with Austria, the artworks,  architecture,  the people I met, and the music of the masterful composers who lived in Austria over the centuries. I intended to order my life in such a way that I would spend my summers there every year. Of course, I had no idea how that would happen, or if it could happen, but I knew it would be the life I would choose to live.

Eventually, my own professional teaching career began when I  accepted  a tenure-track position at Geneva College,  a private college in western Pennsylvania.  This was just five years after I had visited Austria for the first time as a student myself. As a new  Professor of Fine Arts and Humanities, I  quickly realized there was no study program for  students that provided the opportunity to study in  Austria or Germany.   I proposed to create such a course and the following year I was back in the city I love, with students of my own. This was the first of many years that I would have the joy of bringing students to Austria every summer. I taught a course called, “Drawing and Writing in Salzburg.”

My students came from  across America

to work in a studio in a small village in the Alps.

Most days, we met early in the morning and then traveled somewhere to draw and write at  the different places we explored. It was a dream that became my reality. I had the joy of sharing this magnificent country with my students every summer for a  month-long sojourn. On  long weekends, we traveled together through  Germany, Czech Republic, and  Italy.  We climbed mountains; we  stood on a mountain peak and gazed  down in amazement at the eagles lying beneath us.  On one such sunny afternoon,  I  locked  arms with one of the students and we  skipped down a high   Alpine path.  We stopped only when we ran out of energy and we bent over double,  laughing together,  gasping for breath.   We wrote poems and stories  in our  journals; we wrote about our own experiences.  Art was the focus of all we did. We  created drawings and paintings in our morning studio and took our sketchbooks and journals to the  streets and mountain pathways. Together, we trekked our way through the new places we found. Later,  our sketchbooks and journals would provide us with information and memories to work with once we were back home and working on new projects.

***

Gradually, over the years,  I began to realize that the seeds of what we love become the life we live when we set our intentions in that direction.   On that first visit, I had set something in motion that would become my life journey at a later time.  It would be years, though, before I would understand it all. 

Now, sitting here in my office typing up this essay, I listen closely as the final piece of music comes to a conclusion. The piano and the violin have been playing together as I write. Each instrument is strong and one never overpowers the other – they are a good match!

If you would like to enjoy this lovely work of art by Mozart, you can listen to it here:

https://www.youtube.com/watch?v=s-KDzAYOroI

The Violin Sonata continues  and I listen to the rapid notes of the piano moving of playfully  through the house in what seems like a race with the violin.  I can envision a spring afternoon in an Alpine meadow.  At other moments, the violin and piano seem to me to be romping in the sunshine, chasing each other about on the lawn of a Bavarian castle, or around a formal rose garden in the city. . At times, if sounds like the piano takes the lead, yet, this is not the case. The violin weaves through the many notes and in the end they are one.  I listen as applause breaks out immediately as the piano and violin strike the final note together.

This day will take me on other, more mundane  journeys as I walk my dogs, care for my cats, take my husband to the hospital for a check-up, and edit this essay tonight. At special moments throughout my day, I just might hear a few bars of Mozart’s Violin Sonata in B flat  Oh,  I hope so!  Oh, I hope…at the end of this day the music and I are on the same note.

_____

Essay by Lynda McKinney Lambert. Copyright 2014. All rights reserved.

Visit my website for additional information at: “Walking by Inner Vision”

 

 

 

 

 

Categories
art Music

When I Begin my Day with Mozart


On which I Begin my Day with Mozart...

Today:

I put the morning coffee on to brew and then reached   for a CD of Mozart’s Violin Sonata in B flat. After I carefully placed it in the CD player.  pushed the  “play” button on the remote  and my Bose player began filling  the kitchen with music. The soft, slow opening lines of the Largo – Allegro began. I listened.  A piano and a violin began to gracefully move  me to listen closely  to this  composition, written  centuries ago. The lyrical melody  begins and I close my eyes  awhile before I continue writing my essay. There is something compelling about Mozart’s music; it gently  urges  me to stop whatever I am doing.  The music  takes me back in time – but not the time in the Eighteenth century when the music was first performed for a royal audience.  It is  my own time,  near the end of the Twentieth century when the music of Mozart became a core element in my personal  life. While listening to this music,  my mind is taken on a journey far away from this present  chilly, gray November day. My  musings  create layers of memories.

As I begin writing the opening thoughts of this essay,  I enjoy  my  cup of fresh coffee. I spiced it up with some hazelnut creamer. The days and years of past times  come visiting me  once again as I slowly recall  my first exciting days in Austria.  Yes! It  was just  Mozart and me.

Salzburg, Austria
Salzburg, Austria

When Mozart first performed this original composition on April 29, 1784, in Vienna, there was a surprising bit of information that came out of the  original  performance.   It’s  a  unique story  that lies behind the music I am listening to today.   In the audience, that day was  Emperor Joseph II.  As Mozart played the piano, the Emperor made a shocking discovery.  He had eventually  noticed that  Mozart was actually looking at blank sheets of “music” instead of the traditional written music that a musician would use.    It turns out that Mozart did not have time to copy the composition that was in his mind. He had to play it from his memory and did not want the audience to  know he had no actual sheet music. Therefore, He put the blank sheets on the piano and began to play that day. You can read about this and other interesting facts about Mozart by visiting this link

http://en.wikipedia.org/wiki/Violin_Sonata_No._32_(Mozart)

***

My first trip to Europe was  in the summer of 1991. The trip was a gift I gave myself  to celebrate a goal I had completed in May.  I  finished my MFA degree  at West Virginia University in Morgantown, WV. Soon after my graduation, I arrived in Salzburg, Austria at the beginning. My arrival  was  just in time to join in the celebration festivities  for the 200th anniversary of Mozart’s death. My month-long visit was filled with special art exhibitions in palaces and museums, all focused on  some aspect of Mozart’s life or his music.   I attended as many concerts as I could, and viewed special exhibits of art that month. OH, I was hooked on Mozart! I walked through his birth house, and  death house, and stood  inside the churches where he performed for masses.  I attended the Mozart Mass at the Dom du Salzburg and basked in the sweet aroma of swirling,  smoky incense as the priests entered the sanctuary.  I even found the grave sites of  his family members and his wife, Costanza.   Like most tourists, I purchased the famous   Mozart candy, Mozart t-shirts and sent out lots of  Mozart post cards to all my friends and family.

I know you must want to know what took me there that month.  I had enrolled in a drawing class that was taught by a former professor. We students  were in classes Monday through Thursday mornings.  I was so excited to be there and was prolific in my art adventure.  I created a  body of work on the theme of Mozart’s death and  music.  I wrote continuously as I traveled and viewed exhibitions and listened to concerts. I made many ink sketches on white paper. I chose to do all the artworks black and white. The works on paper would make it easier for me to transport  them back to the US.  After I returned  back home, I put my  work together and it became a traveling art exhibition. The mixed-media works on paper appeared in museums and galleries.  I called my show,“Memory of a Requiem.”

Blog_2014_SalzburgFireworks

     Ten years after my first trip,  some of my poems, sketches,  and reflections from that experience were crafted into a book, “Concerti:  Psalms for the Pilgrimage.” The book was published by KotaPress.

***

Prior to the  trip to Austria, I was in graduate school pursuing my MFA degree.  I worked diligently during those two intense years doing  research, creating art,  and teaching. At times, I  was so  exhausted from working days and nights. When I went back to my apartment for a rest and some meals, I often  refreshed  my mind by listening to Mozart’s music. I was particularly  drawn to his Requiem Mass because it echoed my own weariness.   My visit to the city of  Mozart’s  birth and death was a natural choice.

***

While in Austria, I made an intention for my own life.  I realized that I fell in love with Austria, the artworks,  architecture,  the people I met, and the music of the masterful composers who lived in Austria over the centuries. I intended to order my life in such a way that I would spend my summers there every year. Of course, I had no idea how that would happen, or if it could happen, but I knew it would be the life I would choose to live.

Eventually, my own professional teaching career began when I  accepted  a tenure-track position at Geneva College,  a private college in western Pennsylvania.  This was just five years after I had visited Austria for the first time as a student myself. As a new  Professor of Fine Arts and Humanities, I  quickly realized there was no study program for  students that provided the opportunity to study in  Austria or Germany.   I proposed to create such a course and the following year I was back in the city I love, with students of my own. This was the first of many years that I would have the joy of bringing students to Austria every summer. I taught a course called, “Drawing and Writing in Salzburg.”

My students came from  across America

to work in a studio in a small village in the Alps.

Most days, we met early in the morning and then traveled somewhere to draw and write at  the different places we explored. It was a dream that became my reality. I had the joy of sharing this magnificent country with my students every summer for a  month-long sojourn. On  long weekends, we traveled together through  Germany, Czech Republic, and  Italy.  We climbed mountains; we  stood on a mountain peak and gazed  down in amazement at the eagles lying beneath us.  On one such sunny afternoon,  I  locked  arms with one of the students and we  skipped down a high   Alpine path.  We stopped only when we ran out of energy and we bent over double,  laughing together,  gasping for breath.   We wrote poems and stories  in our  journals; we wrote about our own experiences.  Art was the focus of all we did. We  created drawings and paintings in our morning studio and took our sketchbooks and journals to the  streets and mountain pathways. Together, we trekked our way through the new places we found. Later,  our sketchbooks and journals would provide us with information and memories to work with once we were back home and working on new projects.

***

Gradually, over the years,  I began to realize that the seeds of what we love become the life we live when we set our intentions in that direction.   On that first visit, I had set something in motion that would become my life journey at a later time.  It would be years, though, before I would understand it all. 

Now, sitting here in my office typing up this essay, I listen closely as the final piece of music comes to a conclusion. The piano and the violin have been playing together as I write. Each instrument is strong and one never overpowers the other – they are a good match!

If you would like to enjoy this lovely work of art by Mozart, you can listen to it here:

https://www.youtube.com/watch?v=s-KDzAYOroI

The Violin Sonata continues  and I listen to the rapid notes of the piano moving of playfully  through the house in what seems like a race with the violin.  I can envision a spring afternoon in an Alpine meadow.  At other moments, the violin and piano seem to me to be romping in the sunshine, chasing each other about on the lawn of a Bavarian castle, or around a formal rose garden in the city. . At times, if sounds like the piano takes the lead, yet, this is not the case. The violin weaves through the many notes and in the end they are one.  I listen as applause breaks out immediately as the piano and violin strike the final note together.

This day will take me on other, more mundane  journeys as I walk my dogs, care for my cats, take my husband to the hospital for a check-up, and edit this essay tonight. At special moments throughout my day, I just might hear a few bars of Mozart’s Violin Sonata in B flat  Oh, . I hope so!  Oh, I hope…at the end of this day the music and I are on the same note.

***